---
title: "museo"
slug: "museo"
date: 2022-01-10
thumbnail: "/img/sem01/thumbnail.webp"
studies: "/studies/ost/ba/semester_01"
schools: ["ost"]
degrees: ["ba"]
semesters: ["semester_01"]
images:
  - { src: "/img/sem01/01.webp", name: "cutaway-model-front.webp" }
  - { src: "/img/sem01/08.webp", name: "exploded-axonometric.webp" }
  - { src: "/img/sem01/02.webp", name: "plan-ground-floor.webp" }
  - { src: "/img/sem01/03.webp", name: "plan-upper-floor.webp" }
  - { src: "/img/sem01/04.webp", name: "section.webp" }
  - { src: "/img/sem01/05.webp", name: "cutaway-model-angle.webp" }
  - { src: "/img/sem01/06.webp", name: "site-plan.webp" }
  - { src: "/img/sem01/07.webp", name: "street-linocut.webp" }
---

tonhalle museo is a speculative student project at the intersection of architecture, sound, and theory. two seemingly contradictory programmes, concert hall and museum, converge within a single building. this convergence is not harmonised but deliberately intensified: different spatial logics, usage dynamics, and atmospheres collide, creating a field of tension that shapes the architectural expression. the design is based on an auditory analysis, a five-minute sound sequence served as the starting point for the spatial structure. the focus was not on function or form, but on the translation of sound into spatial dimensions. volume, rhythm, density, and silence were translated into proportions, transitions, and materiality. the result is a built fragment, a deliberately incomplete idea, a spatial body that does not seek to explain, but rather to make itself experiential. tonhalle museo understands itself as an attempt to conceive architecture through listening, as a spatial score between concentration and distraction, between performance and contemplation.
