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kgva/content/portfolio/museo.md
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kgva CMS 6b59b58082 feat: category tags (design/film/photo/text) on the portfolio index
new categories taxonomy, multi-value per project. shown inline in each ls row as [tag] after the slug, muted like the other row metadata and inverting with it on hover/select. reuses the existing shared taxonomy template, so /categories/ and /categories/<tag>/ come for free as browsable archives in the same shell style already used for schools/degrees/semesters.\n\nassigned by medium: design for anything with plans/models, film for the two video projects, photo for the trieste study trip, text alongside design for translation (collage + accompanying theoretical text).
2026-08-14 23:50:54 +00:00

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title, slug, date, thumbnail, studies, schools, degrees, semesters, images, categories
title slug date thumbnail studies schools degrees semesters images categories
museo museo 2022-01-10 /img/sem01/thumbnail.webp /studies/ost/ba/semester_01
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/img/sem01/01.webp cutaway-model-front.webp
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/img/sem01/08.webp exploded-axonometric.webp
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/img/sem01/02.webp plan-ground-floor.webp
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/img/sem01/03.webp plan-upper-floor.webp
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/img/sem01/04.webp section.webp
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/img/sem01/05.webp cutaway-model-angle.webp
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/img/sem01/06.webp site-plan.webp
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/img/sem01/07.webp street-linocut.webp
design

tonhalle museo is a speculative design at the intersection of architecture, sound, and theory. two seemingly contradictory programmes — concert hall and museum — meet within a single building. this convergence is not harmonised but deliberately sharpened.

the design is based on an auditory analysis: a five-minute sound sequence served as the starting point for developing the spatial structure. the focus was not on function or form, but on translating sound into spatial dimensions. volume, rhythm, density, and silence were translated into spatial proportions, transitions, and materiality.

the result is a built fragment, a deliberately incomplete thought — a spatial body that does not seek to explain but to be experienced. tonhalle museo understands itself as an attempt to think architecture from listening.